One of jazz's most valuable sidemen, Buster Williams has been able to flourish through many periods of changing fashions in jazz. Best known since the 1980s for his solid, dark tone and highly refined technique on the acoustic bass, the jazz-rock generation knew him as the mobile anchor of Herbie Hancock's exploratory "Mwandishi" Sextet from 1969 to 1973, doubling on acoustic and electric basses sometimes attached to electronic effects devices.
Williams learned both the double bass and the drums from his father, but having been enormously impressed by Oscar Pettiford's recordings, he ultimately decided to concentrate on the bass.
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